In my teens I made a real experience, a sort of a brainwash encounter. That transformed my whole life, and gave me a life-long destination and everybody knows the proverb,
Only he who knows his aim,
will find the way to reach his goal
When I was 10 years old my mother had to stay for half a year in the hospital, so I was sent by airplane from S...to H..., where Grandma and Grandpa lived at K. in the Villa Voss,
solitary lodge, located deep in the Deister Forest.
Not only was the Villa Voss almost overgrown and encircled by mighty green plants and wood, the Villa Voss was also placed in a magical forest park, which extended deep down into Deister wood. The decisive turning-point in my young life was my halfyear rest in the "Villa Voss" in the "Deister Forest" at the home of my father's parents, now in H.... .
A contributing and complementary new experience for me was the publication of "Sgt. Pepper", the revolutionary Beatles album.
"Flower Power" and "Psychedelic Music" came into vogue, a trend that corresponded quite gravely to my magical "Voss Park" experience.
This mysterious park with its stony sculptures, fountain and creek and its jungle valley became my personal playground, which made a lasting impression on my mind and awoke my soul and my spiritual senses.

The "Redway-Park" in 1972 in S., where i resident, became my personal musical terrain.
In the late sixties and in the early seventeens this Park was the equivalent of a Stuttgartian woodstock scene.
Here I founded my first music ban, named "TNT", and this name corresponded to our music style, without much ornamentation.
We wanted to target the emotions of our audience in the first line, but on the other side, we also had only cheap equipment and instruments.

No wonder that our music sounded feral and blanch and there we invented special ingredients and musical additives to make our sound more  impressive and more psychedelic.
We used in our sessions artificial lightning and smell and unothodox positioning of our loudspeakers in the music halls, in order to reach all human senses, and so we achieved a real "musical feeling" in our audience, which transceided the borders of sound listening and so we created a sort of couscience expansion in our fans. 
Retroperspective,
I realized that we uncousciously installed psychoacoustic techniques in those days.

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